Dev Anand tells Subhash K Jha why Guide cannot be re-made..

Q: Dev Saab, I believe you're very upset about Guide being re-made?
A: But that's cleared now. The director Rituparno Ghosh has clearly stated he's not remaking Guide. So the matter is closed. No one can remake Guide. Guide is R.K. Narayan's Guide, Guide is Dev Anand's and Vijay Anand's Guide. You are free to get inspired from any source. That's the creative mind's prerogative. But you can't claim to remake Guide.

I was a little touchy about it when I heard about it...because our film Guide touched the spiritual heights which weren't there even in the novel. The book doesn't have that spiritual feel of our film. Pritish Nandy is a good friend of mine. I fired off a letter asking why he was doing Guide.

They're such intelligent people. They don't need to fall back on remakes. My reaction was quite natural. I remember Rituparno had come to me in Delhi when I had won the Dada Phalke award asking me for the remake rights of Guide. I had advised him against remaking Guide.

Q: Ritu thinks Guide is an inviolable classic.
A: He's a wonderful man. I admire him for what he says. I feel flattered when people credit so much sanctity to Guide . I hold this film and many of my old films, close to my heart. Why should anyone have the right to brorrow my films?

Q: Would you say Guide is the most important film of your career?
A: That would be unfair to some of my other films. You know my career graph . In all the films that my company Navketan has made I've always experimented with new ideas, walked the road of originality even at the risk of failure.

Every film I've made is different, including my latest Mr Prime Minister. Thoughts flow through my head constantly. Suddenly a thought clicks, and I'm onto my next film, even at the risk of my reputation, my career and my money.

Original ideas are much greater fun. Every day you come across new ideas and new situations in the newspapers. There're so many subjects to choose from. Then why go back to past ideas? The latest trend is to remake old films.

Q: What do you think of that trend?
A: It's okay. Let them do what they like. But who knows? Those were different times. This is a different era. Why go to remakes instead of your inner resources?

I'm asked many times why I don't remake my Guide or Hare Rama Hare Krishna. I say, 'Not again, please!' Am I intellectually so bankrupt that I need to go back to my past? If I did I'd cease to be a creative artiste.

Q: You've never looked back.
A: Not so far. Providence and my will- power have helped me to always stride forward . Is there anybody else in the world who's actively making motion pictures at my age? For the first time in my life I'm looking back. I've just completed my autobiography which I've given to my publishers. I'm soon going to make it public.

It spans my sixty-two working years in the motion-picture business. I could've gone on and on writing. That's me. I love the process of creating . I've got an international publisher and they're going through my manuscript right now. I've written my thoughts, in my style.

Q: Was it difficult going back?
A: You're a writer. You know what a pleasure it is to re-create events in your life. As I went into my life I often realized , 'My God, I never knew this had happened!' The mind is such a huge ocean of memories and information. The mind is capable of climbing as high as any mountain and going as a deep as any ocean.

Q: Do you like the films that are being made these days?
A: Different filmmakers have different temperaments and they're working accordingly. Today's filmmakers are very lucky because they've the works of the great masters to fall back on. In our times we knew only the relatively recent work of New Theatres, Bombay Talkies.

We fell back on our own experiences to create movies. Which was good, really. Today's motion-picture makers are blessed. They're exposed to satellite television, the internet.... They can experience the best of world cinema at international film festivals.

Q: That's also stopping our filmmakers from being original.
A: That's my point. Images from international films, tv channels and the internet stay in their minds. We didn't have exposure to such things...Every writer has the prerogative to be original. The minute he or she stops being original it's time to question the purpose of creativity.

The world is looking at the creative artiste. Shouldn't he move forward instead of going back? I personally feel it's a great challenge to find a new idea and venture into the unknown. If the idea works it stays alive for at least fifty years.

Q: Where do you get the energy to go on?
A: I don't know. I still feel I've a lot of energy. I feel I've done nothing yet, believe me! I've finished my book and I was supposed to go to Nepal for a film. But there's political stress in Nepal. Since I can't sit idle I've gravitated to another script for a film which I'll start soon.

Q: And what would that be?
A: It's a murder mystery. Once I finish the script I'll start casting. But yes, it will feature me.