`People didn't know the language and nuances and yet were laughing at the jokes. This made me realise that the film is so universal,` says Chadda. In a festival that has traditionally made news in Indian media for actress' sartorial choices on the red carpet, Chadda made a mark because of cinematic merit. In Masaan, that releases in theatres across India on July 24, Chadda plays Devi Pathak, a small-town girl who gets into trouble when the police raids the hotel where she rents a room to have sex with her boyfriend.
A risque role by Hindi cinema standards, Chadda recalls she almost ended up not doing the film. `Many people told me not to do a small film, that arty actresses don't get invited for ribbon-cutting events or paid for dance performances. But I followed my instincts. Having spent a substantial time in the industry, I can now tell a real friend from insecure people who want to misguide you,` says the 26-year-old.
Since her brief but memorable appearance as a desperate starlet in a music troupe in Dibakar Banerjee's Oye Lucky Lucky Oye (2008), Chadda has acted in only five released films till date. Her most notable role is that of the spitfire wife of a gangster-turned-matriarch in Anurag Kashyap's crime saga Gangs of Wasseypur I and II. `The film gave me a career,` says Chadda. She followed it up with the role of a Haryanvi gangster in Fukrey (2013) and sprung a surprise in an important role in Sanjay Leela Bhansali's Goliyon Ki Raasleela: Ram Leela.
It's fair to say that Chadda is currently going through the best phase of her career. She has a mixed bag of films lined-up for this year. In Main Aur Charles, she plays a law student who becomes an accomplice to the notorious serial killer Charles Sobhraj. Aur Devdas, Sudhir Mishra's reimagination of the classic, will see her slip into the role of an empowered Paro in the backdrop of a politically-charged Haryana. She plays a cabaret queen in the more commercial outing, Cabaret, directed by Pooja Bhatt.