aHR0cHM6Ly93d3cueW91dHViZS5jb20vZW1iZWQvdHN4ZW1GWDBhN2s=
Both the movies have actors in their aging avatars and Preetisheel`s work has been receiving a new wave of accolades, after all the recognition it received earlier for films like Padmaavat, Bajirao Mastani, Andhadhun, Mom, Mulk, 102 Not Out, Thackeray and many others.
aHR0cHM6Ly93d3cueW91dHViZS5jb20vZW1iZWQvMUJxeDdneDZSS28=
"Look transformations are an integral part of the storylines of both these movies, and it was a challenge and responsibility for me to make them look convincing and believable. I am so happy people are appreciating my work," says a modest Preetisheel, who`d won the `National Film Award for Best Makeup` for her very first film -- the pre-Mughal historical epic Nanak Shah Fakir based on the life of Guru Nanak.
She makes it a point to thank the filmmakers of all her movies for putting their trust and faith in her work. "Without their faith, I wouldn`t have been able to do all this," she says. Having taken her career graph a few steps further towards more recognition and glory, the lady has no time for a breather. The next few months have her working on a dozen films back-to-back, as well as starting the `Preetisheel School of Character Design` at Versova, Mumbai.
Some of the forthcoming movies in her kitty include the Akshay Kumar-starrer Housefull 4, Nawazuddin Siddiqui-Radhika Apte-starrer Raat Akeli Hai, Kartik Aaryan-Bhumi Pednekar-starrer Pati Patni Aur Woh, Southern superstar Vijay`s next Bigil, Kangana Ranaut-starrers Panga and Dhaakad, and Bhansali Productions` Tuesdays and Fridays.