Where does one point a finger when one isn't quite enthralled to listen to the soundtrack of an album, let aside commenting later on whether it is good or bad?

Is it due to 'thanda' vibes that the cast of the film gives (Bobby Deol, Priyanka Chopra)? Is it due to the title, which makes one wonder which genre does the film belong to? Is it the promotion, which gives a strong sense of 'deja vu' with routine mushy song and dance numbers?

This is why even as Monty Sharma arrives with his second soundtrack after Saawariya and Sameer joins him as a lyricist, there aren't any expectations with Chamku when one plays on the music.

However, there is a surprise at the very beginning of the album with 'Aaja Milke' indeed making you hear the number more closely.

Starting with Shreya Ghosal, this song about togetherness of the two lovers is aided not just by some good singing but also Indian arrangements, which is the hallmark of Monty Sharma.

Reminding of the kind of work that Sharma has done on the songs for Sanjay Leela Bhansali films; 'Aaja Milke' turns out to be a decent composition even though Shail's limited presence is on a duller side.

Richa Sharma is heard next in a kind of number with which she is associated most - a sad painful number with a classic Indian touch to it.

A situational track meant for the background score, it doesn't quite seem that 'Kithe Jawa' would be placed for it's entire 5.5 minutes duration in the film.

Of course, Richa is good as she always is but the song by itself is hardly the kind, which would have listeners, excited enough to give it a hearing beyond the movie. Surprisingly the number is heard twice with 'Bin Daseyaa' being the title for the 'remix version'.

Has Monty Sharma tried to create a 'Dola Dola' [Ismail Darbar] here with 'Gola Gola'?

It seems to be the case as he gets a similar mood and style for 'Gola Gola' which is basically a 'Holi' number revolving around 'bhang' and the works! Abhijeet Bhattacharya and Vaishali Samant come together for this yet another 'desi' number in Chamku but here too, there isn't much that one ends up looking forward to.

However, there are some hopes of the song getting a few eyeballs if supported by eye catchy choreography and picturisation.

Longest track in the album comes next which lasts close to six and half minutes. Titled 'Trance', this one completely changes the mood and flavor of the album and takes the listener to hardcore Western arrangements.

Saleem Shahzada, Soumya Raoh and Anaida come together for this fast paced number which is set truly as a 'trance' number and comes with a possibility of being played in nightclubs with the round of drinks and flashy lights in full force.

A number which has lyrics in languages other than Hindi as well, 'Trance' again comes with a core situational appeal though one wonders where exactly could this be fitted in except for some dramatic action sequence!

In the same slow mannered pace as 'Kithe Jawa' comes 'Dukh Ke Badri', which appears to be set in a village in the cow belt from where the film's lead protagonist comes.

A number with a rustic feel to it, 'Dukh Ke Badri' is about looking positively in life and expecting better things to arrive. Sung by Kalpana, Parthiv Goel and Shail, it won't quite make a listener to put it on a repeat mode and in fact also forget 'Aaja Milke' which incidentally turns out to be the best of the lot.

In nutshell, Chamku is a forgettable album which is clearly one of the weakest from the house of Vijayta Films.

The songs by themselves may not to be a terrible hear but for a commercial film like Chamku, they just don't create any excitement.

There is absolutely nothing that one takes back home after listening to Chamku and one wonders if it may just have been a better outing if only it was a song less affair.