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Rating: *
EXPECTATIONS
One thought that it was just the producers v/s distributors strike period when small films were releasing at theaters in
dozens.
However, that seems far from true, what with more and more movies belonging to all shapes and sizes
releasing in the current season. One such film is Shadow where the USP is a blind man enacting the role of a character
with a full vision.
To support this guy, there are number of other 'way past their prime' actors who have been
roped in. Anand Raj Anand is the composer who also writes the lyrics of Shadow with Anjaan Saagri pitching in as well.
Frankly, expectations are near to nil.
MUSIC
Gosh, the entire 'sharaab' and 'shabaab' celebrations are so passé in this side of the century but Anand Raaj Anand
continues to wear his Punjabi fixation up his sleeves.
This time around he composes 'Yaariyan' where he plays
the triple role of composer, lyricist as well as singer. He is joined by Anushka Manchanda who certainly must be
wondering if it was actually worth it to be a part of this setup.
A number like this may have worked 5 years back
but today it can at maximum expect to be played in smaller cities and towns.
An album made entirely of item/promotional numbers, Shadow next sees Sunidhi Chauhan coming behind the mike for
'Masti' that has lyrics like 'Shaam Ki Rangeeniyan, Jaam Ki Shaukiniyaan' etc. etc.
Hold on there is more -
'Zyaada Khopdi Kharch Naa Kar, Dil Mil Jaayega Search Naa Kar; Yeh Hai Deewanon Ki Basti, Ke Jee Le Masti Masti
Masti Masti'. And the award goes to the man who goes by the name of Anjaan Saagri!
An item number which
features none other than Sonali Kulkarni gyrating her body on stage, 'Masti' is yet another front bencher
number.
Credit it to Sukhvinder Singh who actually manages to make the title song Shadow work to an extent.
Composed in a manner similar to that of James Bond theme track, 'Shadow', which has Aakruti Kakad chipping in, does
work to an extent of creating that intrigue quotient.
Of course the entire rhythm around 'Shadow Shadow
Shadow' is so early 80s and reminds one of Mithun Chakraborty films a la Gun Master G9. Expect the number to be
played in the opening or end credit rolls.
Well, for those missing an item number, there is some good news. After 'Yaariyan' and 'Masti', there is third such
number in the form of 'Khumariyan'. While the setting is quite similar to that of 'Masti', the music too follows the same
lines and throws predictable results, what with Anjaan Saagri re-emerging on the scene as a lyricist.
Surprise surprise - This time around Anand Raaj Anand gets inspired by A.R. Rahman and picks strings from 'Khwaja
Mera Khwaja' (Jodhaa Akbar) to make 'Rabba Rabba'. This one though is the only soothing number in the entire album
which otherwise went quite loose on the decibel quotient.
Also, after the initial 'mukhda', Anand Raj Anand gets
back to his style of composition for the 'antara' portion. Roop Kumar Rathod is the right choice as a singer as he lends
some credibility to the number.
Just when it seemed that there was something redeeming about Shadow comes one of the most atrocious numbers that
one would have heard this year. Titled 'Dil Ke Taar', the number tries to go back into the 50s and while Aakruti Kakad at
least attempts to get it right, Anand Raj Anand completely kills the number with his badly modulated voice. This is a
song that one cannot survive beyond a couple of minutes.
OVERALL
Poor. Really poor.
Wednesday, August 05, 2009 10:35 IST