Starring Parzaan Dastur, Ayesha Kapoor, Madhavan, Sanjay Suri, Introducing Arunoday Singh
Written & Directed by Piyush Jha
Rating: ***
Love and tenderness during times of distress, stress and terrorism....Piyush Jha's film goes down that dark and
treacherous road with a gentle grace, echoing the leisurely pace of a people whose lives once were tranquil.
Now the sound of bombs and guns breaks the serene quietude of the Valley, reminding us that paradise is on the verge
of being lost.
Welcome to paradise lost.
Jha keeps his narrative purposely intimate. The characters seem more representative of the moral and ethnic conflicts
that colour the verdancy than make strong socio-political statements on the plight of the violent Valley.
Wisely the narrative picks two talented children to play the protagonists. Parzaan Dastur (the cute little Sardarji from
Kuch Kuch Hota Hai) plays a gawky adolescent wannabe footballer who for reasons that appear more circumstantial
than metaphoric keeps getting repeatedly hit in the head by the football, nozzles, hands and feet.
Head start?
Ayesha Kapoor (her startling turn as the blind and mute girl in Black still fresh in our minds) is the prematurely mature
and quiet thoughtful Nasreen. Veil and tragic carrying her schoolbag like an existential burden she walks the coniferous
splendour with a quiet restlessness.
There aren't too many characters in this portable epic. The politicians terrorists and maulavis form a muffled circle of
cleaned-out conflict, and that suits the film's purposes fine as long as the drama doesn't get diluted.
Sadly the reservoir of resonances and echoes gets progressively smothered in the will to create a neat twist at the end
of the tale that would work in A Wednesday, but not in a film that purports to draw a line of morality between terrorists
and civilians in the Kashmir Valley.
Still, the stillness that surrounds the scenic splendour of Sikandar is never compromised. The director is discernibly in
love with Kashmir though not to the extent of dwarfing the character when juxtaposed against the immense natural
beauty of the Valley.Somak Mukherjee's camera kisses the valleys and streams without getting servile and soppy.
The two child actors are natural as far as the unnatural disturbances guiding the plot allow them to be. Sanjay Suri as
the deceptively suave politician smiles mysteriously through an under-written role.
Madhavan amply and
intelligently fills the very limited space offered to him play the fence-walking army-man.Arunoday Singh as the not-so-
reluctant terrorist had a watchable screen presence.
But somewhere in this short and sweet look at a paradise-subverted you miss that elevating quality which defines socio
-political reality in cinematic terms. Nonetheless Sikandar is a sensitive and gentle depiction of life in an idyllic place
where guns have overpowered the roses.
Friday, August 21, 2009 13:45 IST