Earlier this year Nirupa Roy made a rare public appearance at the Filmfare Awards to receive her
award for lifetime achievement -- little did we know that this would be the last time we would see her.
The ultimate cine-ma passed away Wednesday night, unsung, almost lost to the film industry. In the
last decade or so Nirupa Roy's screen output had dwindled to zero. Health problems plagued her. And
Roy was shunned by most of the industry.
Paying tribute to the veteran actress Big B, who played his son in many film says, "Over the years, I
realised that the role Ms Nirupa Roy played of my mother on screen had actually transcended off-screen
too."
"It was the same motherly warmth that she exuded towards me on screen that she exuded in real life as
well. She was exceedingly fond of me and I of her. I would touch her feet like I touch my mother's. And
the friendship and bond that developed were overwhelming."
"We were last paired five years ago in (K C Bokadia's) Lal Badshah. Around that time, I perceived that
she was going through a rough patch in her life.She later met and confided her problems in me, just as a
mother talks to her son. I am so glad that — albeit in a very small way — I was able to help her out.
Now when she is no more, I feel like I have lost a mother, a person I felt very close to."
Nirupa Roy came to the film industry as a much-married shy Gujarati woman named Kokila Balsara. The
late veteran actor Ashok Kumar, with whom she formed a hugely successful star-team as the ultimate
Papa-Mama pair, often spoke fondly of how the shy housewife was teased out of her timidity to emote
full-throttle on screen.
Initially Nirupa Roy chose to act only in mythological films. These allowed her to remain within the
prescribed parameters of her inhibitions.
She made her debut in 1946 in V.M. Vyas' Gujarati "Ranakdevi", an adaptation of a folk tale, which
immediately established her as a candidate for stardom. Two years later, Roy's career was rocking after
she played the titled role in "Gunasundari". This was followed by a number of Mother Goddess roles
where she was cast as a demure deity.
It was perhaps because of her inbuilt inhibitions that Nirupa Roy failed to make it as an A-grade leading
lady in spite of her good looks and competent performances.
In 1955 at the prime of her career, just when she was cast in Rajinder Singh Bedi's "Garam Coat" as
Balraj Sahni's wife (Roy and Sahni went on to do several films together as character actors), she
switched to mother's roles, playing Dev Anand's mom in Subodh Mukherjee's "Munimji" when she was
actually seven years younger than him.
After switching over prematurely to the grey zone, Nirupa Roy never looked back. She was by far the
most successful screen mother of Hindi films. In 1975, she played her most famous mother's role in
Yash Chopra's "Deewaar". As the woman caught between the moral conflicts of her two sons, Roy was
flawlessly melodramatic.
The role won her a Filmfare Award for best supporting actress, a rare occurrence for an actress her
age.
Roy went on to play Amitabh Bachchan's mother in a large number of films including "Amar Akbar
Anthony", "Suhaag", "Muqaddar Ka Sikandar", "Mard" and "Ganga Jumna Saraswati".
In the 1990s, her career faded away. Younger, more glamorous, actresses like Waheeda Rehman and
Raakhee took over the mother's slot. Roy withdrew into anonymity to resurface briefly as Jimmy
Shergil's grandmother in "Jahan Tum Le Chalo" in 1998.
Nothing was heard of her thereafter. No one cared.
Amitabh Bachchan recalls his long association with Hindi cinema's most beloved mother with fondness.
"Working with Nirupaji was such fun. She was a warm and affectionate lady. She played my mother so
often that we had actually begun to feel as though we were related."
Now when the mother figure in Hindi cinema is fast losing its relevance, Nirupa Roy's death seems
symbolical.