For a country producing the highest number of films in the world, India is aggressively looking to market
its movies more widely across the globe.
The Confederation of Indian Industry (CII), one of the driving forces in re-launching the International Film
Festival of India (IFFI) through a Cannes-like event in Goa, is working to make this happen at the latest
festival that opens here Monday evening.
Organisers of IFFI, eager to make their event a success, claimed a "film bazaar" was being held for the first
time ever on this scale and size.
The film bazaar is part of CII's initiative to "develop and globalise" the Indian entertainment industry.
India is a major regional centre for cinema and its film industry is the world's largest, with over 1,200 movies
released in 2002 alone.
Though supported largely by the vast film-going Indian public, recent trends are showing increasing popularity
of Indian films abroad, especially in countries with large expatriate Indian populations.
Industry lobby-group CII is launching the Nov 30-Dec 8 film bazaar along with the information and
broadcasting ministry, and the government's promotion network, the National Films Development Corporation
(NFDC), apart from support from the government of host state Goa.
Goa itself does not have much of a film culture, but has invested heavily in IFFI, in part to boost its image and
possibly gain from the fallout for a state that has been long promoting itself as a destination for in-bound
tourism.
CII said the event would provide space for "negotiations between the filmmaker and the financier", not just for
domestic players.
"Co-productions, joint-creative endeavours, sharing of technology take centre stage and superficial
differences fade away," said the promoters, explaining what they anticipated from the event.
Indian films are seen by analysts to be facing changing, if not trying, times.
Between the 1950s and 1990s, many locally produced movies made profits, with little competition from TV or
imported movies. But of late, TV and cable channels, movie imports and rampant "piracy" are problems seen
to lead to many Indian films turning into commercial failures.
Major Indian languages have their own film industries -- in Hindi, Bengali, Tamil, Telugu, Malayalam and
Kannada.
Indian commercial films are showing signs of undergoing changes from their long, three-hour format often
marked by musical and action-oriented themes that are melodramatic or sentimental and interrupted by
song-and-dance routines.
Some quarters see independent films as the future of cinema in India, in a country where direct government
patronage of the medium has largely declined.
CII says India's recent multiplex expansion and the "mushrooming of fiercely active film-societies and
film-making courses" have created a "new generation of producers, directors, editors, actors and
distributors".
Organisers of the film bazaar expect film-brokers and production house representatives keen on joint
ventures, including from countries like Britain, the US, Romania, Brazil, Mauritius, France and Sri
Lanka.
Also planned is a conference on the "globalisation of the Indian entertainment industry".
They also expect representatives of other international film festivals held across the Indian subcontinent to
attend "to assimilate the economics that drive film-making in the region".
South Asia, the organisers say, offers relatively lower shooting costs, affordable state-of-the-art
post-production facilities and picturesque locales.
Exhibitors at the event include Sahara India Parivar, the government-owned Prasar Bharti Corporation,
Satellite Media Group, Andhra Pradesh-based Ramoji Rao Film City, UTV, Adlabs, Indian Film Exporters
Association, Mukta Arts, the government's Films Division, Children's Film Society and Mauritius Film
Development Corporation.