Why Pakistani cinema owners fear Bollywood

Why Pakistani cinema owners fear Bollywood
Monday, September 25, 2006 15:27 IST
By Santa Banta News Network
The traditional family trip to the local cinema has become little more than a nostalgic memory in Bangladesh and Pakistan, where locals prefer to stay home and watch banned Bollywood films on their television sets.

The fall from grace of local movie theatres, which are being converted into shopping malls both in Dhaka and Islamabad, are a testament to politics and piracy in the two traditional Muslim countries that border India from the east and the west.

India's Hindi-language films, many of them slickly produced song-and-dance extravaganzas, are wildly popular in Pakistan and Bangladesh where Hindi is easily understood.

But they have been banned from the big screen in both countries due to government concern that scenes of actresses being romanced by men and dancing in somewhat revealing costumes might permeate their Muslim cultures in which female modesty is prized and intermingling among the sexes is taboo.

"They (Indian films) simply go against our religion, culture and taste," said a political scientist in Bangladesh, Abdur Rashid.

"If we allow them to be watched freely then these films will pollute our society," he added.

In contrast to Bollywood, the films made by the Bangladeshi and Pakistani movie industries and screened at local cinemas are seen as amateurish and dull.

Not surprisingly, the Kohsar cinema in Islamabad is a lonely place. The city's last surviving movie theatre - a cavernous 700-seat auditorium - is virtually deserted.

"It's weird sitting here with just 11 people in such a big hall watching the movie," said a Pakistani driver, Jahanzeb, who came to the cinema to watch a film with a friend on his day off.

Owner Mohammed Iqbal Mian is waiting for city hall approval to shut the Kohsar down and turn it into a shopping mall.

"It's like a white elephant for me. But since it's my property and I am not pressed for money, I'm allowing it to go on because it provides employment for my workers," he said.

In Dhaka, housewife Shiri Akhtar's childhood memories are filled with tragedy, comedy and drama from movies she grew up watching at her local movie cinema.

"I almost never missed any new film that came to town," said Akhtar.

But these days, the few cinemas that still operate in Dhaka are largely empty of clientele except for shady characters drawn by illicit screenings of Western films late at night showing banned scenes of couples kissing.
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