From Indie Cinema to Streaming Pioneer
Over the last seven years, Kukunoor has become a notable presence in the Indian streaming world. With hits like City of Dreams and Modern Love Hyderabad, he explored long-format storytelling that allowed deeper character arcs and complex narratives.
His latest OTT project, The Hunt: The Rajiv Gandhi Assassination Case, premiered on Sony LIV and is based on journalist Anirudhya Mitra’s book Ninety Days. The series follows the intense investigation that unfolded after the assassination of former Indian Prime Minister Rajiv Gandhi.
While the series delves into real historical events, Kukunoor made a clear distinction, stating: “The material is not political. It's a true crime thriller.”
His approach to the subject matter underscores his preference for storytelling over sensationalism, reinforcing his reputation as a filmmaker driven by substance.
Why Nagesh Kukunoor Wants to Return to Films
Despite the creative freedom and success he found in OTT platforms, Kukunoor admits that cinema has always held a special place in his heart. Reflecting on his digital journey, he shared: “I always wanted to explore characters in a long format. It was an exciting time when the OTT boom began. But now, the space is adjusting, and I feel it’s time to wade back into films.”
As the streaming industry undergoes shifts in audience behavior and platform strategies, Kukunoor believes the time is ripe for a cinematic return.
The Challenges of Independent Filmmaking Without Star Power
While his passion for films remains undeterred, Kukunoor faces a persistent roadblock—funding.
“I always have scripts ready. But the struggle is finding the money—especially since I don’t work with big stars,” he revealed.
Unlike many filmmakers who bank on marquee names to draw audiences and investors, Kukunoor has steadfastly championed new talent throughout his career. This commitment to authenticity and fresh faces, while artistically rewarding, often limits his projects’ commercial appeal in the eyes of producers.
“If I went for stars, it would be a different story. But I prefer fresh faces. That’s always been my way, even if it makes things harder.”
This principled stand is part of what makes Kukunoor one of Indian cinema’s most respected independent voices.
Nagesh Kukunoor’s 27-Year Journey in Film
Kukunoor’s filmography is a testament to his resilience and creative integrity. From the trailblazing Hyderabad Blues—a self-financed indie hit that captured the diasporic experience—to the emotionally stirring Iqbal, a sports drama that broke stereotypes, Kukunoor has always chosen meaningful stories over market trends.
His 27-year journey in the film industry has not only carved a unique niche for him but has also inspired many aspiring filmmakers to pursue stories rooted in realism, emotion, and unconventional narratives.
“I’m still here after 27 years. So we’ll see,” he concluded with quiet confidence.
What Lies Ahead for Kukunoor?
As Kukunoor prepares to step back into the cinematic arena, fans and critics alike are eager to see what stories he brings to the big screen next. With a legacy built on bold choices and original storytelling, his upcoming films are likely to reflect the same level of depth, emotion, and sincerity that have become his trademarks.
In an era where box office numbers often overshadow creative expression, Nagesh Kukunoor stands as a reminder that filmmaking, at its core, is an art form. His return to cinema may not come with blockbuster stars or massive marketing budgets, but it will undoubtedly carry the weight of honest, impactful storytelling.
