"Paresh Rawal's first part is that of Abhay Deol's father in which we have gone about give him the look of a typical Punjabi of the early 90's era. His second character Gogi Bhai where his look is very kitsch, flamboyant and flashy.
He flaunts Tussar silk pants, flashy shirts. His third character is slightly upper middle class where he will be seen wearing expensive suits but in loud colours.
So it was interesting to design for all them keeping the requirement of the characters and the Delhi sub-culture in mind, " says the designer Rushi.
Since the film, Oye Lucky, Lucky Oye is based in down town Delhi the ambience lends itself to the kitsch look, whether it is the décor of the house or the loud shirts of Paresh Rawal's character Gogi bhai or the bright shirts that Abhay Deol is sporting. Abhay's character also goes through three phases and the same is reflected in his look. Right from his childhood till the time when he becomes a super chor.
"Abhay's look required to have a very lower middle class feel. Later he moves on to slight upper middle class. But even then he has the kitsch feel in his clothing. He wears things that are obviously rich.
Basically his character lucky lives with an attitude of 'Whatever I can't get in life I will snatch' this is an attitude that is reflected in his look. Whatever he wears is to show people, a complete show off." informs Manishi.
"We had inspirations drawn from the streets of Delhi, from Chandni Chowk, Rohini, Conaught place, South Extention, Karol Bagh. so get ready to see a purani Delhi in the film" they conclude together.