Yeah, but it's not a competitive festival. The film is being showcased there and it's a good thing. More and more people are getting to see the film which is excellent. The movie is about an Indian icon and our Indian culture and the London Film Festival is a good platform for it.
We've seen you as a part commercial Bollywood flicks like D and the latest, Ru Ba Ru. Where does Rang Rasiya fit best?
Rang Rasiya is a blend of both commercial and world cinema. I wish that my films take a stand either way but sometimes I think it's not necessary. I may be wrong.
The more wider audience you cater to and the more people see your work is what makes your other radical work come out to the fore and Rang Rasiya is a very radical and yet a mass entertainment film.
How was it to be working with Ketan Mehta who has been critically and commercially successful over two decades?
Working with Ketan Mehta is a great honour. My favourite film is Mirch Masala. I would rate it as the best film in the world. When he gave me the script of Rang Rasiya, I never knew who Raja Ravi Varma was.
Then I found out that the Gods we've been praying in Diwali are the recreations of his paintings. So to be playing Raja Ravi Varma on-screen is a huge accomplishment.
D was also on the lifestyle of underworld don, Dawood, and then I did Risk, which was on the life of Daya Nayak. So all these being different films were inspired by real life characters. I am thankful to Ketan for giving me this opportunity.
We hear that there are some intimate love making scenes in the film with your co-star Nandana Sen.
I don't think there are any intimate love making scenes in Rang Rasiya. Not that I've heard of or done. But there is a nude scene in the film with a breast shot of Nandana Sen. I mean, every female has breasts, so what's the big deal.
For Nandana, that could be a big and a bold move because her father Amartya Sen watched the film at the London Film Festival where he is invited. All the scenes between me and Nandana are tastefully done and are within the parameters of Indian cinema.
When you play a real life person in the reel life, a lot of research goes into the making of that particular character. Were you involved in such a research?
Well, Ketan had already done a lot of research before he gave me the script. But when I read about Raja Ravi Varma, I found him to be a very boring person. So I kept that aside and just followed the script.
I looked at some of his paintings and thought that he must be an entertainer, an affable guy who has someone sitting and posing for him for four to five days. He was charming in a way and I took it from that point of view.
The thing I found common between us was the way he looked at his women and the way he appreciated the female form in his paintings. On script, he was shown as a very rebellious person, which I found very interesting.
All the history, as Ketan says, is raw material for interpretation. The British who wrote the history of India and the Indians who have written history on India don't match. So history of Raja Ravi Varma is a point of view.
How good a painter are you now?
I tried painting for twenty odd days. But I know that even if I learn to paint for twenty years, I won't be as good as Raja Ravi Varma. So I might just pretend to be a good painter.
We saw Ru Ba Ru didn't do well at the box office. Majority of your films haven't clicked with the audiences. What's your mantra now?
As an artist you want as many people to come and watch your film and the box office is a great measure of that. But these days, movies are also seen on the internet and on DVD's and vcd's and on cable channels. So if a movie does not do well at the box office doesn't mean that it goes unseen.
I am still struggling to break through as an actor even after Ru Ba Ru. I want to do bigger films in terms of canvas and cater to a larger audience. It's not that the actor in you dies or people don't like your face. It's just that the story didn't click somewhere. You got to bite the dust and keep going.
You seem to be a busy man. Then why are you complaining?
I am not complaining. I've been off work since the last four months only to figure out what my real calling is as an actor and where do I want to place myself. I am looking for a role where I can sink my teeth into all over again.
You sound like you are an 'accept me as I am' kind of a guy.
That's how you have to be in today's time, otherwise you're f*****. I've done D, now I want to go to Z but also want to go back to A. I want to do everything. I am not in it for a short w***. I am an actor and love being one.
That's what I'm going to do for the rest of my life, unless I stop having fun with it. I used to drive cabs during night shifts in Melbourne for three years and I've seen people at a very close range.
The happiest people are the ones who do what they love to do. I am very lucky that I've got an opportunity to do what I love to do and I don't give a damn what people think about me.
So you don't regret?
I don't. There are lots of films that I've refused that've done well at the box office. Whether I was in it or not, it wouldn't have affected the movie. I'm sure all this will fall into place some day or the other and if it doesn't, you got to still keep on bashing. Otherwise what's the point? Might as well go back home to Haryana and do other things.
What are your expectations from Rang Rasiya?
The cat is already out of the bag. I know where I went wrong. I know what I would've liked to see in Rang Rasiya. A piece of creative work is always short on my behalf of my own expectations.
The day I reach those expectations, I will back up. If people say, Rang Rasiya sucks, then I will make sure I do those things which I didn't do in the film and if people say that Rang Rasiya is great, then you think, well, they haven't seen what I could've done.
Any message for your fans?
I don't know how many fans I have out there. I love what I do and I hope that I can keep creating that love for them. You are the reason that I am probably going to get where I want to get.