He writes, "She takes us into the lives of the stars, and into the struggles of those who never make it to centre stage; she lets us participate in the making of legendary hits like Sholay and Dilwale Dulhaniya Le Jayenge... she shows us the glamour as well as the murky links with the underworld.
There is also the odd story of the royal bodyguard of Bhutan who became a scriptwriter; of the embarrassed Pakistani soldiers at Wagah border who could not allow their favourite Indian superstars to shoot."