Now I will never be able to see him. I have lost a true friend and dear brother. He loved me to death. He had made it clear that I'd have to sing for all his films from the time he turned director with Dhool Ka Phool in 1959.
I think I sang for all his films except Waqt. When he turned into an independent producer with Daag in 1973 he sat and explained the story to me and the situation for every song. He had a great music, sense, though he couldn't sing himself. His wife Pam not only sang she also had a good knowledge of Hindustani classical music, which Yashji lacked.
Together they created an atmosphere for those timeless scores in Yashji's films. One thing that you'd always find in the music of a Yashraj film is a number based on Punjabi rhythms. Yashji had a penchant for Punjabi songs and had to have one of them in all his films.
He had an amazing sense of poetry too. That was evident in the songs and music of Kabhi Kabhie. I feel Yasji has left behind so much for future generations of filmmakers to learn. He was an entire institution in filmmaking.
He made every frame look so beautiful. There's so much misery, squalor and poverty in real life. The man on the street went to see a Yash Chopra film to live a dream where everything was picture-perfect, where the women were lovely visions in chiffon sarees shot against picturesque backdrops in Switzerland and Amsterdam.
I am proud and privileged to have given voice to Yashji's lovely heroines. But Yashji and I were bonded on a much level deeper than the professional. He genuinely loved me. Cinema was his passion. All the money that he made went back into making films.
I hadn't met Yashji for some time now. He kept asking me to come over to his studio (of which he was very proud) and to his home where Pam and Yashji made me feel like family. I will miss that warmth and hospitality. My heart reaches out to Pamji. `