Apaharan is not merely the story of the kidnapping of human beings for mercenary purpose. It is the story of the kidnapping of society itself. The kidnapping of the moral fiber that sustains a civilistion.
A story that explores how values and morality are held to ransom in a world fast losing its conscience. Apharan resonates with the cry of spineless and helpless society whose very soul has been abducted.
The proliferation of crime, the precarious political balance of coalition politics, the so-called interests of minorities, fractured and purchased vote banks, a submissive and complaint bureaucracy, a corrupt police force...The blurring boundaries between politics and crime...

Tabrez, played by Nana Patekar, is a political leader.

Yashpal Sharma is Gaya Singh, Tabrez's key crony who executes kidnappings, and plans murder, safe and protected within the bars of a regular jail.
And then there's the lovely Bipasha Basu, who plays Ajay's love interest, Megha. She loves Ajay and likes to believe she understands him. But their worlds are perhaps too far apart.
Deep in the Hindi heartland of India the story of Apaharan unfolds...

Like director Prakash Jha's previous film, Gangaajal, Apaharan also promises to be hardhitting in its approach.