She came she saw and she conquered. That's Mallika Sherawat for you at CNN's 'Talk Asia' with Lorraine Hahn. Aimed to have a closer Eye on India and Mallika in particular the show was on Aired on Sept 24 at 8:30 am on Saturday.

You can catch the re-run of Talk Asia at 20:00 hrs and 22:30 hrs on Saturday hrs and Sunday meanwhile here are the excerpts from the Mallika's tête-à-tête with host Lorraine.

Lorraine Hahn: Hello and welcome to Talk Asia. I'm Lorraine Hahn. My guest today is Bollywood bombshell Mallika Sherawat, an actress best known among fans for bold, on-screen kisses and steamy sex scenes.

Born Reema Lamba in 1981, in the conservative province of Haryana, she changed her name to Mallika Sherawat when she moved to New Delhi. She attracted attention there as a model, and was given her first movie role in Jeena Sirf Mere Liye. But it was 2003's Khwahish that catapulted her to overnight stardom.

The movie explored pre-martial sex and a sort of controversial theme that would follow her career over the next two years. Her latest role sees her alongside Hong Kong action star Jackie Chan in The Myth, a movie that boasts an international cast and was screened at the film carnival festival earlier this year.

Lorraine Hahn: Mallika, welcome to Talk Asia. Thank you very much for joining us. I wanted to ask you about The Myth. It's an adventure epic. Very different from the movies you normally have done. How did you hear about the role, how did you get it?

Mallika: Working with the most famous Chinese on this planet -- Jackie Chan -- was an incentive. I was also looking out for an international project when I got a call from a production house in Mumbai, saying that Stanley Tong, the director of the movie was in town looking for a fresh face opposite Jackie.

She asked if I would mind auditioning. I went and met him, there was a little audition, he asked me a couple of questions and then, after a month they told me I was on. It was a big challenge.

I had to do all the stunts on my own, I got bruised, I cried, I howled, I complained, I fought with Jackie but it all worked out beautifully in the end.

Lorraine Hahn: So did he teach you any funky stunts?

Mallika: He taught me all the action secrets.

Lorraine Hahn: How different was shooting The Myth compared to making a Bollywood movie?

Mallika: I would say, the working style is not very different, just why Myth has an edge is because it's a very big budget film, it's a $20 million production. They could afford better production values, everything was better.

Otherwise, in terms of professionalism, it's all pretty much the same. But the whole world's going global now, you know, and the way to be is to be global. For that, you have to cast global actors.

Lorraine Hahn: And what was it like at Cannes?

Mallika: It was great! A fantastic experience. I loved it. I couldn't believe it myself. It was my first experience of the film festival and when Time magazine said kind things about me, it felt great!

Lorraine Hahn: Traditionally in Bollywood, female characters are portrayed as good and pure. Now, you have opened the doors to your work and have encouraged a lot of young actresses to be risky, to be what they want to. What made you decide to do this?

Mallika: It's just that traditionally in Bollywood, actresses are either portrayed as femme enfant, child woman, a femme fatale, or a vamp. They are not shown or portrayed as normal thinking women who can have grey areas, who can have likes and dislikes, who can feel passion towards somebody.

It's not the done thing, but today with the Internet revolution, with the changing times, with the youth wanting to see more realistic cinema, I took it as a challenge, to play a realistic character. And that's why my movie Murder became the biggest hit of 2004 because people related to it, they related to the character. There was some truth in it.

Lorraine Hahn: How difficult was it to break, you know, the old traditions. Was it difficult for you?

Mallika: Not really, for me. Every character for me is the same. I give equal importance to every character I do, that's what's more important, whether this character has so many kisses or that many steamy scenes is not important. It's like every other scene, we're all professionals here.

Lorraine Hahn: So it wasn't emotionally or physically challenging for you initially.

Mallika: You do feel shy, and my co-star had onions. Imagine just before an intimate scene, he had onions. It was awful. It scarred me for life.

Lorraine Hahn: Your critics would argue that you have used your sex appeal instead of talent to get to where you are now. What do you say to them?

Mallika: Jackie Chan used his kung-fu skills to get where he is, Arnold Schwarzenegger used his muscle. Every actor uses his or her own unique selling point to establish herself and if I used my sex appeal, what's wrong with it?

Lorraine Hahn: People have called you a sex kitten, or a sex icon. Is that a flattery or an insult to you?

Mallika: I'm not even bothered, you know. I see it as a side-effect of what I do, what I'm really interested is in doing good cinema, sourcing good scripts, working with competitive and challenging directors with good co-stars.

That's what my main aim is. I'm not concerned with all these sexy images or what people say, what critics say. It's not important to me at all.

Lorraine Hahn: What kind of roles do you really like to do now?

Mallika: I love Southeast Asian cinema. I'm a big fan of directors like Zhang Yimou, Wong Kar Wai, Chen Kaige, Stanley Tong, Suhar, Ringo Lam, there are so many actresses like Gong Li, Anita Mui who are so inspiring. I would love to work with them and do cinema like that.

Lorraine Hahn: As far as Indian cinema goes, do you see it changing now?

Mallika: Yes, it is. With younger filmmakers coming in, and also with Hollywood influencing it a lot, cable TV just dominates everything. I would put it this way -- if Indians want, if we want other cultures to like us, we have to embrace other cultures as well. It has to be a healthy mix and that's what's happening now. The younger generation is less hypocritical and more realistic in their approach.

Courtesy: CNN